Vladimir Jerić Vlidi je mediolog, autor i urednik, trenutno baziran u Beogradu.
Od 2004. tehnički direktor i arhivista brojnih međunarodnih izložbi iz polja savremene umetnosti (Jugoslovensko bijenale mladih umetnika, Vršac, 2004; Radiodays, De Appel institut za savremenu umetnost, Amsterdam, 2005; Slučaj Studentskog kulturnog centra Beograd u 1970-tim, Galerija Nova Zagreb, Salon MSU Beograd, ŠKUC Ljubljana, CCA Sarajevo, Badischer Kunstverein Karlsruhe, Transit Budapest, 2007-2010; No More Reality serijal, Beograd, Amsterdam, Istanbul, 2006-2009); Oktobar XXX: Exposition–Symposium–Performance, Pančevačko bijenale, 2012, BONE festival, Bern, 2013; Lecture Performance, MSUB & Kölnischer Kunstverein, Beograd, Keln, 2019. 2010); Političke prakse (post-)jugoslovenske umetnosti, Muzej 25. maj, Beograd, 2009; Story on Copy, akademija Schloss Solitude, Štutgart 2017, i druge).
Objavio kritičke tekstove o savremenoj umetnosti i kulturi u novinama i žurnalima Latin Art Review, Danas, Dematerijalizacija umetnosti, Red Thread,Spike, DeScripto, LabforCulture, u knjigama za izdavačke kuće Sternberg press, MIT Press, MSUB, L’internationale, kao i u katalozima i pratećim publikacijama izložbi i konferencija. Od 2003. učestvovao na preko 20 međunarodnih konferencija o kulturi i umetnosti.
Trenutno programer i urednik brojnih veb-sajtova i medijskih sistema iz oblasti umetnosti i kulture (Rekonstrukcija Ženski fond, Prelom kolektiv, Red Thread Journal, Nomad Dance Academy, Kontekst galerija, projekat EPICA, Stanica servis za savremeni ples, Critical Practice Made in YU, DEPO Istanbul, portal Mašina i drugi). Jedan od osnivača, urednik i član redakcije žurnala Red Thread baziranog u Istanbulu. Član Udruženja džez, pop i rok muzičara Beograda i Međunarodnog udruženja likovnih kritičara AICA.
Obrazovanje: MA iz Kulture globalnih medija (Mediologija), Fakultet za Medije i komunikacije, Univerzitet Singidunum, Beograd; BA iz Komunikologije (Žurnalizam), Univerzitet Singidunum, Beograd; mikrobiolog laborant-tehničar, stručna praksa, VMA Beograd; sertifikat za Autodesk/Kinetix softver, Centar Group, Beograd.
Radna biografija: jedan od osnivača i član muzičke grupe Darkwood Dub (1988-2008); osnivač i rukovodilac organizacija Creative Commons Serbia (2007-2013), Slobodna kultura (2005-2010), TEDx Belgrade (2010-danas), Druga scena (nezavisna kulturna mreža, 2008 – danas), Prelom kolektiv (2005-2010).
Asisitent na Fakultetu za medije i komunikacije (2009-2012), spoljni producent za Švedsku nacionalnu televiziju (SVT) za region Jugoistočne Evrope (1999-2012), scenarista edukativnih TV emisija iz umetnosti i tehnologije za Radio televiziju Srbije (2006-2009), urednik internet portala i društvenih mreža za MTV Adria (VIMN) (2009-2015).
Bibliografija
Zvanične publikacije:
“Editor’s Note For Red Thread Journal Issue 5″ (sa Jelenom Vesić), maj 2020
“MixTape: B-Sides“, o projektu MixTape by Vesna Pavlović, mixtapeproject.net, maj 2020
“The interruption of the exhibition ‘Exception: Contemporary Art Scene from Prishtina’ – Two eyewitness account – the 2019 version” (sa Jelenom Vesić) – in Of(f) Our Times: Curatorial Anachronics, urednice Rike Frank i Beatrice von Bismarck, Sternberg Press, januar 2020
“The Bucharest Statement”, video esej, Network Failure / tranzit.org, decembar 2019, URL
“Notes on Rib, RibRib, RibRibRib: PREDICAMENTS PREDICATES PARADIGMS PEDAGOGY”, Rib Roterdam, septembar 2019 (https://www.ribrib.nl/projects/rib-unresolved-issues?slide=1)
“The Production of Space / The production of Raum” in Flugschrift #3: Action spaces—Pedagogical Scores and Artistic Routes, Der Fahrende Raum, urednice Maximiliane Baumgartner i Doris Koopmann, Minhen, mart 2019.
“The Production of Space / The production of Raum” video esej, Network Failure / Der Fahrende Raum, decembar 2018, URL
“Mixtape: B-Sides“, govor i predavanje na otvaranju izložbe “MixTape by Vesna Pavlović”, Zaitgeist Gallery, Nešvil, oktobar 2018
“1984: The Adventures of Alternative” (sa Jelenom Vesić) in The Long 1980s – Constellations of Art, Politics, and Identities a Collection of Microhistories, urednici Nick Aikens, Teresa Grandas, Nav Haq, Beatriz Herráez, Nataša Petrešin-Bachelez, Valiz / L’internationale, Amsterdam, april 2018.
“Dispossession by numbers: 2017/10/70/100” u Red Thread, Issue 4: Dispossessions, Solidarities, De-integrations, urednici Erden Kosova, Zeyno Pekünlü, Vladimir Jerić Vlidi, Jelena Vesić, Banu Karaca, Istanbul-Beograd-Berlin, decembar 2017.
“Interview with Rastko Močnik: There is No Theory Without the Practice of Confrontation” (sa Jelenom Vesić), u Red Thread, Issue 4: Dispossessions, Solidarities, De-integrations, urednici Erden Kosova, Zeyno Pekünlü, Vladimir Jerić Vlidi, Jelena Vesić, Banu Karaca, Istanbul-Beograd-Berlin, December 2017.
“The Museum as ‘Reflection of the Second Order’: The Art (of) Thinking after the Death of Art” (sa Jelenom Vesić) u Nyimpa kor ndzidzi / One Man, No Chop: (Re)conceptualisation of the Museum of African Art – the Veda and Dr. Zdravko Pečar Collection, exibition catalogue, urednice Emilia Epštajn & dr Ana Sladojević, Muzej afričke umetnosti, Beograd, jul 2017.
“Museum – Art – Education: Ways of Doing, Ways of Seeing, Ways of Thinking” (sa Jelenom Vesić), in Performing the Museum: The Reader, edited by Aleksandra Sekulić and Dušan Grlja, MOCA Vojvodina, Novi Sad; MOCA, Zagreb; MOCA Koroška, Slovenj Gradec and Fundació Antoni Tàpies, Barcelona, December 2016.
“On Neutrality” (sa Jelenom Vesić i Rachel O’Reilly), in Non-aligned modernities, urednik Zoran Erić, Muzej savremene umetnosti Beograd, 2016.
“Under The Sycamore Tree – Curating As Currency: Actions That Say Something, Words That Do Something“ (sa Jelenom Vesić), u The Future Curatorial, urednici Paul O’Neill i Mick Wilson, Center for Curatorial Studies Bard College, MIT Press, 2015.
“Learning to Forget or The Obsession With Terabytes” (sa Jelenom Vesić), (recenzija izložbe Disappearing things, 55. oktobarski salon, kustosi: Nicolaus Schafhausen, Vanessa Müller, 19. septembar – 2. novembar 2014, Beograd), u Forgetting, Spike No 42, Winter 2014/2015, Berlin: Spike Art Quarterly, 2014.
“Lala’s Reader, written by Lala Raščić: A paradox of writing a monographic text about the artist who speaks” (sa Jelenom Vesić), u Lala Raščić, Lala’s Reader, (katalog: Lala Raščić), Ljubljana, New York, P.A.R.A.S.I.T.E., 2014.
“Heads On to The Strawberry Bush”, (recenzija izložbe No One Belongs Here More Than You, 54. oktobarski salon, 11. oktobar – 17. novembar 2013), Beograd: Kulturni centar Beograd, 2014.
“It’s the Political Economy, Stupid!”, (recenzija izložbe: It’s the Political Economy, Stupid!, kustosi: Gregory Sholette, Oliver Ressler, CZKD Beograd, septembar 2008) u Latin Art Review, Los Angeles, 2013.
“Four Acts and a Pair of Socks” in Exception – The case of the exhibition of Young Kosovo Artists in Serbia, Red Thread Journal, Issue 1, Istanbul, 2009
The work undone, Geert Lovink, Richard Barbrook, Piratbyrån, Brian Holmes, Vladimir Jerić Vlidi, (urednik Vladimir Jerić Vlidi), Beograd: Biro za kulturu i komunikaciju Beograd, 2009.
“1% For Art” (sa Jelenom Vesić), u Heapsteaps, (katalog/umetnički projekat: Machiel Braaksma), VHDG, Leeuwarden, 2009.
“Who is Boska?“ (with Jelena Vesić), u 5. of December 1978. (katalog izložbe: Bojan Fajfrić), Beograd: Muzej savremene umetnosti Beograd, 2009.
“Media in Serbia and the Idea of the Network – Between ‘Internets” and handouts-for-free” u Media Landscape: Serbia in Transition, DeScripto – A Journal of Media in South-East Europe No 3, Vol 4, Vienna:SEEMO, 2008.
“The Art of Rationalisation in the Age of Crisis – Interview with Miloš Rančić” u Media Landscape: Serbia in Transition, DeScripto – A Journal of Media in South-East Europe No 3, Vol 4, Vienna:SEEMO, 2008.
“The Grand Coalition” u SLUM-TV NEWSPAPERS, (katalog/umetnički projekat: Sam Hopkins, Alexander Nikolic, Lukas Pusch, Fred Otieno, Julius Karanja), (urednica Dušica Dražić), Anonymous said, Beč-Najrobi-Beograd, 2008.
“Soldarity of Yugoslav peoples – Darinka Pop-Mitić”, (recenzija projekta: On Solidarity, Darinka Pop-Mitić), Intercultural dialogues, Kuturni centarr REX, Beograd 2008.
“The interruption of the exhibition ‘Exception: Contemporary Art Scene from Prishtina’ – Two eyewitness account” (sa Jelenom Vesić), LabforCulture, European Cultural Foundation, 2008.
“The Pirates of Malacca (slobodnakultura.org)” in TkH Journal 15: SELF-EDUCATION: GOAT TRACKS OF SELF-EDUCATION, (urednici: Ana Vujanović, Miško Šuvaković et al.), Beograd: Teorija koja hoda – Centar za teoriju i praksu performativnih umetnosti TkH, 2008.
“A Numbers Game: Interview with Richard Falkvinge” i “Criei tive Como: Interview with Ronaldo Lemos”, u re-reader 2006/2007, Beograd: Biro za kulturu i komunikaciju Beograd, 2007.
“Documenting Performance” u Lexicon for the Provisional Future(s), Centrala Foundation for Future Cities, European Cultural Foundation, 2007.
“Broken Step”, u Danas: specijalni dodatak posvećen izložbi BREAKING STEP / U RASKORAKU – displacement, compassion and humour in recent art from Britain, kustosi: Branislav Dimitrijević, Caroline Douglas, Siniša Mitrović, Jelena Vesić, Muzej savremene umetnosti Beograd, 2007.